Integrated robots

One of the most controversial tales of inner-Earth-dwellers is the so-called Shaver Mystery. In 1945 a story was published by some Richard Shaver, who claimed he had recently been the guest of what remained of an underground civilization. Although few really believed the story, Shaver always averred that his story was true. He contended that the Elder Race, or Titans, came to this planet from another solar system in our prehistoric past. After a time of living on the surface, they realized our sun was causing them to age prematurely, so they escaped underground, building huge subterranean complexes in which to live.

Eventually, they decided to seek a new home on a new planet, evacuating the Earth and leaving behind their underground cities populated by artificial beings: detrimental robots and integrated robots. It was these beings that Shaver claimed to have met. Despite the enormous popularity of the Shaver Mystery the location of the entrance to this underground world was never divulged.

The inhabitants of Agartha

While the whole place is an inner continent, its satellite colonies are smaller enclosed ecosystems located just beneath the Earth's crust or discreetly within mountains. Cataclysms and wars taking place on the surface drove these people underground. The Sahara, Gobi, the Australian Outback and the deserts of the southwestern US are said to be but a few examples of the devastation that resulted. The sub-cities were created as refuges for the people and as safe havens for sacred records, teachings and technologies that were cherished by these ancient cultures.

The inhabitants of Agartha are said to have scientific knowledge and expertise far beyond that of the people who live on the surface of the planet, and lost technology from the days of Atlantis. They all follow what is known as the Ancient Path and do not interfere in the lives of humans that live above the surface. Nor is there any interaction between them. All entrances to Agartha from any other part of the planet are hidden safely. They are secured by illusory technology that is beyond the comprehension of modern science.

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Belief in underground civilizations

Since 19 century, the myths of Agartha tricked into fictional works. An early source for the belief in underground civilizations is the book The Smoky God written by Willis George Emerson in the beginning of 20th century. It claims to be the biography of a Norwegian sailor named Olaf Jansen. The book explains how Jansen's sloop sailed through an entrance to the Earth's interior at the North Pole. For two years he lived with the inhabitants of an underground network of colonies who, were a full 12 feet tall and whose world was lit by a "smoky" central sun. Their capital city was something like the original Garden of Eden.

While Emerson does not use the name Agartha, later works such as Agartha - Secrets of the Subterranean Cities have identified the civilization Jansen encountered with Agartha, and its citizens as Agarthan. According to Secrets, one of the underground colonies, was also the seat of government for the network.

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Legendary city in the Earth core

Agartha is a legendary city that is said to reside in the Earth core. My coworkers from from web analytics company told me that today the word Agartha is related to the Hollow Earth theory and is a popular subject in esotericism. Agartha is one of the most common names cited for the society of underground dwellers. While once a popular concept, in the last century little serious attention has been paid to these conjectures, and the theory is not supported by modern science.

The idea of subterranean worlds may have been inspired by ancient religious beliefs in Hades, Sheol, and Hell. For several centuries, there appeared theories that named various locations of the entrances to Agartha. Among them Great Pyramid of Giza, Brazilian Mato Grosso and Manaus, North and South poles, Gobi Desert in Mongolia.

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Modern legends

A number of modern Shangri-La pseudo-legends have developed since 1933 in the wake of the novel and the film made from it. Even crazy Nazis had an enthusiasm for Shangri-La, where they hoped to find an ancient master race, similar to the Nordic race, unspoiled by Buddhism. They sent one understandably unsuccessful expedition to Tibet in 1938.

As of today, various places in China still claim the title, including the tourist destinations of Lijiang and Zhongdian. Sichuan and Tibet also claim the real Shangri-La was in its territory. In 2001, Tibet Autonomous Region proposed that the three regions optimise all Shangri-la tourism resources and promote them as one. Also in 2001, Zhongdian County in northwestern Yunnan officially renamed itself Shangri-La County. Country of Bhutan, which was until now isolated from outside world and has its unique form of Tibetan Buddhism, has been hailed as the last Shangri-La.

Utopian ideal

We often use word Shangri-La in a similar context to Garden of Eden, It means for us some kind of a perfect paradise that exists hidden from modern man. In some cases we use it as an analogy for a life-long quest or something elusive that is much sought by man in the form of love, happiness, or Utopian ideals. Shangri-La has its place with other mythical and famous examples such as The Holy Grail, El Dorado, The Fountain of Youth. But, in fact, this word came to us from ... fiction. This word first appeared in the 1933 novel Lost Horizon by British author James Hilton. In the book, Shangri-La is a mystical, harmonious valley, enclosed in the western end of the Kunlun Mountains. The novel was so popular, that this word became synonymous with any earthly paradise but particularly a mythical Himalayan utopia. From my web analytics company archives I found, that the author based the story of Shangri-La is based on the concept of Shambhala, a mystical city in Tibetan Buddhist tradition.

It is getting funnier, though. As years rolled by, several locations in the Buddhist Himalaya between northern India and Tibet claimed to be the basis for Hilton's legend, largely to attract tourism. A popularly believed inspiration for Shangri-La is the Hunza Valley in northern Pakistan, close to the Tibetan border, which Hilton visited a few years before Lost Horizon was published. Being an isolated green valley surrounded by mountains, enclosed on the western end of the Himalayas, it closely matches the description in the novel. A Shangri-La resort in the nearby Skardu valley is another popular tourist attraction.

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Abbess and a collector of old music

Anna became the Abbess of Quedlinburg in 1755, although she chose to spend most of her time in Berlin, where she devoted herself to music, and became known as a musical patron and composer. In 1758, she began a serious study of musical theory and composition, engaging as her tutor Johann Philipp Kirnberger, a student of Johann Sebastian Bach. She composed chamber music, such as flute sonatas, and wrote music to Ramler's Passion cantata "The Death of Jesus". This was also her favorite piece. Only a few of her works have survived, and it is highly likely that she destroyed many of her compositions. After all, she did described herself as being very self-critical person. In addition to that, princess Anna was also a collector of old music, preserving over 600 volumes of works by notables such as Johann Sebastian Bach, George Frideric Handel, George Philipp Telemann, and others. This act in itself was a significant contribution to Western culture. Her library was split between East Germany and West Germany after World War II, and despite serious damage by fire in 2004, still survives today.

Adventurous princess

It seems that princess was a very brave and passionate woman. When she was twenty years old, Anna met Friedrich von der Trenck, whose adventurous life inspired works by literary giants such as Victor Hugo and Voltaire. In 1743, Anna secretly married him. When her brother, who was already a king, discovered she had married secretly and was pregnant, he annulled her marriage and imprisoned her husband for ten years. Then Frederick exiled her in anger to Quedlinburg Abbey, a place where many aristocratic women were sent to give birth to children out of wedlock. However, Anna continued to correspond with Friedrich von der Trenck until her death.

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Princess Anna Amalia of Prussia

In my blog entries, I describe mostly outstanding creative people who had God given talents in spite of the harsh times that they were living. Luckily, not everybody is born a genius. There were other composers. I would not call them minor talents or diminish their creativity in any way. They also deserve the utmost respect and gratitude of the following generations. One of these dedicated people was Princess Anna Amalia of Prussia. I found out about her when I was doing my regular research for my web analytics company.

Princess Anna Amalia of Prussia was one of eight children of Friedrich Wilhelm I of Prussia. She was a younger sister of the famous Frederick II, King of Prussia and she was born in 1723 in Berlin. Among her other famous close relatives were Wilhelmine, Margravine of Bayreuth, Louise Ulrika, Queen of Sweden and Augustus William, Prince of Prussia. Anna was eleven years younger than her brother Frederick, and would have been seven years old when he made his attempt to run away from home, after being humiliated by his father. Both children were musically inclined, but for Anna formal musical instruction was only possible after the death of her father, who hated music with all his heart. Music was her secret consolation against his cruelty to her - in his bursts of rage he would often drag her across a room by the hair. Fortunately, her mother encouraged Anna to learn how to play the harpsichord, flute, and violin. And she received her first lessons from her brother, future king.

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Medieval love story

She wrote many hymns for the Christian liturgy; the most famous being the Hymn of Kassiani. Tradition says that later Emperor Theophilus who was still in love with her wished to see her one more time before he died. So he rode to the monastery where she resided. Kassia was writing her Hymn when she heard the Emperor looking for her. She was still in love with him but now she was devoted to God and she hid away because she did not want to let her passion overcome her religious feelings, but she left her unfinished Hymn on the table.

Theophilus found her cell and entered it alone. He looked for her but she was not there; she was hiding in a closet, watching him. Theophilus felt very sad, cried, and regretted that for a moment of pride he rejected such a beautiful and intellectual woman; then he noticed the papers on the table and he read them. When he was done reading he sat on the chair and finished the Hymn which Kassia had started writing and then he left. Legend says that as he was leaving he noticed Kassia in the closet but he did not speak to her; he just left. Kassia emerged when Theophilus was gone and he read what he had written and she cried.

Greek-Byzantine poet and composer

I am a history buff, especially, if it is related to the history of music, art and literature. While I was doing a research for local web analytics company, I discovered the story of Kassia from Byzantium. She was a Greek-Byzantine poet, composer, and hymnographer. She was born between 805 and 810 in Constantinople into an aristocratic family. Kassia was a participant in the "bride show", organized for Theophilus by his mother Euphrosyne. Smitten by Kassia's beauty the young emperor Theophilus approached her but he did not like her answers. So he chose another bride, Theodora.

Kassia founded a convent in 843 in the west of Constantinople near the walls of Constantine and became its first abbess. Although many scholars attribute this to bitterness at having failed to marry Theophilos, a letter from Theodore the Studite indicates that she had other motivations for wanting a monastic life. It had a close relationship with the nearby monastery of Stoudios, which has to play a central role in re-editing the Byzantine liturgical books in the 9th century and the 10th century, so were important in ensuring the survival of her work.

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Talented female artists

I went through more manuscripts and found more interesting personalities from so called Dark Ages.

In my previous post I mentioned that Medieval women worked a lot on illumination. Manuscript illumination affords us many of the named artists of the Medieval Period including Ende, a tenth century Spanish nun; Guda, a twelfth century German nun; Claricia, twelfth century laywoman in a Bavarian scriptorium. Hildegard of Bingen is a particularly fine example of a German Medieval intellectual and artist. She wrote "The Divine Works of a Simple Man", "The Meritorious Life", sixty-five hymns, a miracle play, and a long treatise of nine books on the different natures of trees, plants, animals, birds, fish, minerals, and metals. From an early age, she claimed to have visions. When the Papacy supported these claims by the headmistress, her position as an important intellectual was galvanized. The visions became part of one of her seminal works, which consists of thirty-five visions relating and illustrating the history of salvation. The illustrations showing Hildegarde experiencing visions while seated in the monastery at Bingen, differ greatly from others created in Germany during the same period. They are characterized by bright colors, emphasis on line, and simplified forms. While Hildegard likely did not pen the images, their nature leads one to believe they were created under her close supervision.

Creative women in the medieval period

In the twelfth century there was the rise of the city in Europe, along with the rise in trade, travel, and universities. These changes in society also influenced the lives of women. Women were allowed to head their spouses' businesses, if they were widowed. Women also became more active in illumination. Many women worked alongside their husbands or fathers, including the daughter of Maitre Honore and the daughter of Jean le Noir. By the 13th century, most illuminated manuscripts were being produced by commercial workshops, and by the end of the Middle Ages, when production of manuscripts had become an important industry in certain centers, women seem to have represented a majority of the artists, and scribes, employed, especially in Paris.

I processed a lot of the manuscripts on a research, and I found a lot about the women in the Middle Ages. Especially, about the ones with artistic talents. In the Medieval period, women often worked alongside men. They created manuscript illuminations, embroideries, and carved capitals and what-not. Documents show that they also were brewers, butchers, wool merchants, and iron mongers. Women who were artists, often were of two literate classes, either wealthy aristocratic women or nuns. Women in the former category often created embroideries and textiles. Those in the later category often produced illuminations, and even composed church music.