Victor Louis envisioned the theater in Bordeaux as a temple of the Arts and Light, with a neo-classical facade endowed with a portico of 12 Corinthian style colossal columns. 12 statues were supported by the columns and they represented the nine muses and three goddesses.
At Grand Théâtre de Bordeaux Jean Dauberval staged his most famous ballet Le Ballet de la paille. We know it today under the name of La Fille mal gardèe. Throughout centuries this ballet is one the most enduring and popular works with ballet companies throughout the world.
Dauberval’s ballet had such a wild public success that he traveled to London staged it there. This is where Dauberval changed the title of the ballet to La Fille mal gardée, which remains the title of the work today.
For the first performance in London in 1791 Dauberval’s wife Mme. Théodore reprised her role as Lise. And Dauberval’s student, Charles Didelot, known to us as the Father of Russian Ballet, danced Colas.
Jean Dauberval lived to see the times of the glittering French Empire of Napoleon and died surrounded by his family and students in 1806.
Saturday, October 17, 2009
Monday, September 28, 2009
An astonishing career
One of the famous ballet dancers and innovators Jean Dauberval was born in the times of the French Kingdom in the southern city of Montpellier in 1742. The name given to him at birth was Jean Bercher, which he later changed to Dauberval and a couple of times to D’Auberval. In his teenage years Jean’s talents were noticed by the great Jean-Georges Noverre, the creator of the ballet d’action.
Noverre took gifted Dauberval under his wing and trained him at the school of the famous Paris Opéra. Noverre’s tutelage helped Jean start an astonishing career. At the age of 21 he became a premier danseur of the Académie Royale de Musique. And 8 years later in 1771 he was appointed the Ballet Master.
Soon Jean Dauberval grew up to be an undisputed head of the company who acted as chief choreographer and the artistic director. And from 1781 till 1783 he officially became the First Ballet Master of the Académie or, as they say in French - Maître de Ballet.
For unknown for us reason this all ended in 1783. Suddenly Jean Dauberval decided to move to Bordeaux and accepted the position of the First Ballet Master at the Grand Théâtre de Bordeaux, that had been inaugurated as theater a couple of years before his arrival. It was a beautiful building constructed by the famous architect of the Enlightenment Victor Louis who was genius also created galleries of Palais-Royal in Paris.
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Noverre took gifted Dauberval under his wing and trained him at the school of the famous Paris Opéra. Noverre’s tutelage helped Jean start an astonishing career. At the age of 21 he became a premier danseur of the Académie Royale de Musique. And 8 years later in 1771 he was appointed the Ballet Master.
Soon Jean Dauberval grew up to be an undisputed head of the company who acted as chief choreographer and the artistic director. And from 1781 till 1783 he officially became the First Ballet Master of the Académie or, as they say in French - Maître de Ballet.
For unknown for us reason this all ended in 1783. Suddenly Jean Dauberval decided to move to Bordeaux and accepted the position of the First Ballet Master at the Grand Théâtre de Bordeaux, that had been inaugurated as theater a couple of years before his arrival. It was a beautiful building constructed by the famous architect of the Enlightenment Victor Louis who was genius also created galleries of Palais-Royal in Paris.
Read more ...
Friday, February 13, 2009
On top of the world
His fame spread all over Europe and that is why the director of the Imperial Theatres in Saint Petersburg invited Charles to work there as the first dancer in 1801. Charles started strong there and was on top of the world for almost five years when the bad luck entered his life.
His beautiful wife Rose was a brilliant ballerina but, unfortunately, she died young in St. Petersburg during the height of her career. And soon after Didelot’s career as a dancer ended too because of the accident.
In spite of all this misfortune Charles did not give up. He switched to teaching French style of ballet dancing and became an influential figure over the development of European and Russian ballet. In fact, he is considered to be the “Father of the Russian Ballet“. He did this successfully till the end of his life when he died in 1837 in the city of Kiev.
His beautiful wife Rose was a brilliant ballerina but, unfortunately, she died young in St. Petersburg during the height of her career. And soon after Didelot’s career as a dancer ended too because of the accident.
In spite of all this misfortune Charles did not give up. He switched to teaching French style of ballet dancing and became an influential figure over the development of European and Russian ballet. In fact, he is considered to be the “Father of the Russian Ballet“. He did this successfully till the end of his life when he died in 1837 in the city of Kiev.
Very gifted and talented dancer
An experienced French ballet dancer Charles Didelot had a steady position of an instructor in dance at the Swedish Opera in the 18th century. His son, future famous dancer and choreographer Charles-Louis Didelot was born right here in Stockholm in 1786, and during his adolescence years studied dance with his father.
Young Charles was definitely very gifted and talented dancer, that is why when he was 19 years old he debuted in 1786 in Royal Swedish Ballet theater called Bollhuset. He did not spend much time there though, because he needed to hone and polish his dancing skills. So he moved to Paris where he studied with Jean Dauberval, the Ballet Master and creator of famous ballet La Fille mal gardée.
Charles was lucky enough to have as his next teacher Jean-Georges Noverres, who revolutionized dancing with the invention of the ballet d’action. Under the lead of the great master Charles Didelot debuted in London in 1788.
Read on ...
Young Charles was definitely very gifted and talented dancer, that is why when he was 19 years old he debuted in 1786 in Royal Swedish Ballet theater called Bollhuset. He did not spend much time there though, because he needed to hone and polish his dancing skills. So he moved to Paris where he studied with Jean Dauberval, the Ballet Master and creator of famous ballet La Fille mal gardée.
Charles was lucky enough to have as his next teacher Jean-Georges Noverres, who revolutionized dancing with the invention of the ballet d’action. Under the lead of the great master Charles Didelot debuted in London in 1788.
Read on ...
Wednesday, November 5, 2008
Printing was expensive and not accessible
The world of antiquity was famous for its large libraries, the most famous and largest of which was the Library of Alexandria. There is a certain irony that most of the scrolls that were kept in these huge storage all over the ancient world were lost forever. They were either burnt in fire or destroyed during wars and turmoil.
Yet, there was another reason for the loss of all those invaluable scrolls. Generally, papyrus scrolls don’t last more than a couple of centuries. Those scrolls that were chosen not to be copied on parchment during the times of Christianity did not survive.
Even with the invention of printing European hand-written manuscript writing kept on going for another century. Printing was expensive and not accessible for everybody at those times. Each time when a copy of a document was created more and more errors were introduced with each copy. That is why, specialists have to compare different versions of the same document to figure out the most authentic parts of a document. As for private and governmental documents, they remained handwritten until the invention of the typewriter in the 19th century.
Yet, there was another reason for the loss of all those invaluable scrolls. Generally, papyrus scrolls don’t last more than a couple of centuries. Those scrolls that were chosen not to be copied on parchment during the times of Christianity did not survive.
Even with the invention of printing European hand-written manuscript writing kept on going for another century. Printing was expensive and not accessible for everybody at those times. Each time when a copy of a document was created more and more errors were introduced with each copy. That is why, specialists have to compare different versions of the same document to figure out the most authentic parts of a document. As for private and governmental documents, they remained handwritten until the invention of the typewriter in the 19th century.
Hand-written manuscripts
Originally, all documents and books were written by hand. This type of manuscripts lasted until the invention of printing in China in the 7th century and later in Europe in about 1450. The material used for hand-written ancient manuscripts differed depending on the geographical location. The ones that were preserved till our days included papyrus, various parchments, and even palm leaves and birch bark documents.
First ancient manuscripts were discovered in Egyptian tombs and mausoleums. They were either located inside the sarcophagi or even reused as mummy wrappings. Archeologists and adventurers were discovering scrolls of manuscripts in bizarre places like dry caves, desert burials, or within the secretly buried jars.
Read on ...
First ancient manuscripts were discovered in Egyptian tombs and mausoleums. They were either located inside the sarcophagi or even reused as mummy wrappings. Archeologists and adventurers were discovering scrolls of manuscripts in bizarre places like dry caves, desert burials, or within the secretly buried jars.
Read on ...
Monday, October 27, 2008
Medieval manuscript the Chantilly Codex
From Avignon this musical style spread to Southern France, Paris and Northern Spain. In the beginning of the 15th century it reached England and established itself there too. Ars subtilior music was exclusively secular. Its songs were telling of courtly love, war, chivalry and even praise of public figures.
The majority of what we know about ars subtilior French composers comes from a single invaluable and extremely rare medieval manuscript the Chantilly Codex. It is the most important source of information, because we don’t know anything else about many of these music creators, including their biographies, dates of life and death. Brief texts that accompany the music and some of its lyrics allowed us to discover great composers of that time like Solage, Borlet, Grimace, Trebor, Senleches and others. The Chantilly Codex contains 112 polyphonic pieces, mostly ballads, motets, and rondeaus, that represent the most popular courtly dance styles of its time.
The majority of what we know about ars subtilior French composers comes from a single invaluable and extremely rare medieval manuscript the Chantilly Codex. It is the most important source of information, because we don’t know anything else about many of these music creators, including their biographies, dates of life and death. Brief texts that accompany the music and some of its lyrics allowed us to discover great composers of that time like Solage, Borlet, Grimace, Trebor, Senleches and others. The Chantilly Codex contains 112 polyphonic pieces, mostly ballads, motets, and rondeaus, that represent the most popular courtly dance styles of its time.
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