Thursday, February 7, 2008

Famous Trobaritz of the past

There are not many works of medieval female troubadours or trobaritz, as they called them in Occitan, that survived to our days. Specialists attribute to them from twenty three to forty six works only. We have names of a dozen or more trobaritz but very few biographical details. Some of them were even considered fictitious in the past, like Alamanda de Castelnau. Only later after numerous researches, it was found that her name was mentioned by at least three famous troubadours, who pointed at her prominence in Occitan poetic circles. And only one of her songs reached us.

Two trouvères from Arras, in Picardy, France remain mysterious as well. They were called Dame Margot and Dame Maroie and they created music and wrote poetry somewhere in the 13th centuyry. But all that we have today is their only existing work, which represents a single debate song. And guess, what? This song survives in two manuscripts, and each version give separate and unrelated melodies.

The same goes for Beatriz de Dia. She was born somewhere in the 12th century, and, probably, was the daughter of Count Isoard II of Día. One song in Occitan with the music intact came to us through the ages, other songs exist too but without the melody. According to her short romanticized biography, Beatriz was married to Guillem, Count of Viennois but she was deeply in love with famous troubadour Raimbaut of Orange.

We know somewhat more about famous trobaritz Na Castelloza, who created music and poetry in the early thirteen century. She was a noblewoman from Auvergne and a wife of Turc de Mairona, Her husband’s ancestors had participated in a Crusade, which was the origin of his name. She wrote several songs about Arman de Brion. She was in love with him, but he was of greater social rank than Castelloza. Romanticized biography describes her as vivacious, highly intelligent and beautiful lady. Her four songs still exist, but, unfortunately, all without music. This, however, makes her the share the tie for the title of the most prolific of trobairitz in terms of surviving works. Only Beatriz de Dia certainly has also four songs to her name. The subject of all Caselloza poems is courtly love.

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